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Barlow Extra Light (font) size 16
Aoraki/Mount Cook, 2022, Acrylic and mixed media on canvas, 80 x 60cm
Columbia Glacier (Alaska), 2022, Acrylic and mixed media on canvas, 91 x 91cm
Losing Albedo, 2021, Acrylic and mixed media on canvas, 92 x 122cm
Mountain Study, 2021, Acrylic and mixed media on canvas, 40 x 50cm
The Greenland Threshold, 2020, Acrylic and mixed media on board, 60 x 60cm
Interglacial, 2022, Acrylic and mixed media on canvas, 80 x 80cm
Descend, 2021, Acrylic and mixed media on canvas, 80 x 95cm
What Was, 2022, Acrylic and mixed media on board, 60 x 90cm
Shadow Mountain, 2022, Photopolymer photogravure etching, 44 x 54cm
Exhibited in November of 2022 at Meeniyan Art Gallery, Gippsland, this exhibition uses mountains and landscape to highlight the relationship humans have with the natural world. Interested in how the scale and majesty of these places can humble perspectives of the human experience, Rich questions why it is that we have evolved to see ourselves as separate from the natural world.
The series aims to explore this disassociation, and lament the path human progress has paved into the unprecedented era of the Anthropocene. The devastating effects of climate change and environmental degradation have directly inspired these works, in a response of grief and sorrow. Helplessly watching on as the natural world fades; loss of species, habitat, biodiversity and entire ecosystems destroyed. Decades of intensive fossil fuel burning has warmed the planet; melting polar icecaps, melting carbon-rich permafrosts, rising sea levels, setting off chain reactions with catastrophic consequences. As David Attenborough has attributed, ‘We have completely destroyed that non-human world………human beings have overrun the world.’
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